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David Eddington lectures at BYU Education Week on the history of the human language, how we process language, and how language changes.
Professor Dan Dewey (Linguistics) has been appointed as department chair for the Department of Linguistics. Dewey succeeds Professor Norm Evans, who has served in this capacity for the past few years.
French literature professor Marc Olivier made a splash with his book "Household Horror: Cinematic Fear and the Secret Life of Everyday Objects," landing him a series editor position for a new series, Icons of Horror.
Professors Corry Cropper and Chris Flood recently published their book "Mormons in Paris" as an analysis of how the French used early Mormon polygamy to satirize French culture in the 1800s.
Students interested in publishing and media careers can join BYU’s student chapter of LDSPMA to connect with like-minded students and industry professionals
The LSS leadership team invited professors from around campus to present on how they incorporate linguists into their careers and professions.
College of Humanities alumna Lori Fuller Sosa recently received an editing scholarship sponsored by ACES: The Society for Editing.
In 2010, BYU faculty members, including Kirk Belnap (Asian and Near Eastern Languages), Jennifer Bown (German and Russian), Dan Dewey (Linguistics), and Patrick Steffen (Psychology), launched a project aimed at empowering students to become successful, life-long language learners.
Biking over two hundred miles pushes the human mind and body to its limits, but so does trying to learn a new language. Associate Professor Troy Cox (Linguistics) has experience with both.
Social interaction is important in any learning environment, but Professor Dan Dewey argued that it is absolutely essential when studying a second language.
Albert Camus’ novel depicts the city of Oran, Algeria during a contemporary outbreak of the plague. While there are obvious parallels between the plague in the novel and the peste brune (the brown plague, a nickname for the Nazis who occupied France during World War 2), by transforming the threat into an act of nature, Camus shifts the focus from human cruelty to the many reactions to suffering: some pretend it doesn’t exist, some try to escape it, others accept it and try to alleviate pain.
Associate Professor Jennifer Haraguchi (Italian) speaks about the role of the plague in Boccaccio’s Decameron and his unique prescription for a cure: storytelling.