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Comparative Arts & Letters English Spanish & Portuguese English Language Center Humanities Center International Cinema
According to Associate Professor Anna-Lisa Halling, playwriting gave nuns unprecedented freedom—which may explain why it became so popular.
How do you know when a novel is well translated? The key lies in keeping the author’s voice.
Who decides what makes “good” design? According to Associate Professor Jamie Horrocks, Victorian design reformers thought they did.
Memory, film, and community—Professor Marc Yamada demonstrates how Kore-eda Hirokazu uses film techniques to create worlds that encourage community in the 2024 P. A. Christensen Lecture.
Faculty from Comparative Arts & Letters share findings from a two-year project to elevate teaching in their department.
El Santo versus the establishment—How film institutions overlook Mexico's favorite luchador.
Ixcanul becomes the first IC film entirely in Kaqchikel, a Mayan language.
Francesca Lawson explains the historical biases behind female singing.
Wickman awarded for his efforts in exploring faith through literature.
Women may have been silent onscreen in early cinema, but backstage they were building a powerful new art form.
Adjunct Professor Madeleine Dresden highlights common racist tropes and stereotypes in writing and offers solutions and alternatives for more diverse and inclusive writing for BIPOC (Black, Indigenous, and People of Color) communities.
Associate Professor Greg Stallings (Spanish & Portuguese) may have thought that picking The Exterminating Angel to be shown at the International Cinema seemed random, but the theme of quarantine that runs throughout the movie has become especially poignant in today’s environment.