25 results found
Illness has been recorded in art for much of human history. In the fall of 2017, my colleague Brian Poole and I co-taught an Honors 220: Unexpected Connections course we titled “Literature and Disease.” The class was Brian’s idea. He’s a microbiologist in the College of Life Sciences, a virologist, and an expert on the human immune system.
Associate Professor Mike Pope (Comparative Arts and Letters) discusses plagues in Classical literature and how epidemics were used as a literary convention.
Assistant Professor Elliott Wise (Comparative Arts and Letters) shares how “plague crosses” served as a beacon of hope for those suffering from sickness during the Renaissance.
How can poetry, plays, and art flourish during a deadly pandemic? Learn how Shakespeare used the time of plagues to spur his creativity!
Greek myths have been told time and again, but Professor Roger Macfarlane explores how these myths have been adapted to our modern culture.
Carl Sederholm, associate professor in the Department of Humanities, Classics, and Comparative Literature, spoke at an International Cinema lecture on horror as a genre and its traditions.
Consider limiting large group discussions and focusing more on small group conversations focused on student readings and student papers (something like the tutorial system in the UK)
Associate Dean Leslee Thorne-Murphy lectured during Education Week 2019 on Victorian Christmas literature and how authors focused on Christ despite the rise of commercialization.
Dr. George B. Handley of the Comparative Arts & Letters Department recently published his 11th book, If Truth Were a Child (2019). Unlike his previous titles—which include creative non-fiction, scholarly works, a memoir, and a novel—this book is a compilation of reflective essays analyzing the intersection between faith and intellectualism.
Florida State University's Dr. Juan Carlos Galeano addressed BYU students, faculty members, and others in a pair of lectures on January 30, 2020.
Four faculty members discuss different aspects of the BYU Museum of Art’s current exhibition Cut! Costume and the Cinema.