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Humanities Center International Cinema Women's Studies Humanities News
Explore new directors, cultures, and themes this semester with International Cinema.
For the last five centuries, book publishing played a remarkable role in preserving Welsh identity and language in the face of external cultural and linguistic challenges.
Associate Professor Rob McFarland discusses how Thelma and Louise challenged the film industry thirty years ago and continue to do so today.
How do we encounter God during moments of crisis?
The obstacles women artists have encountered—and continue to experience—while trying to obtain a foothold in the art world are legion. Compounding these professional challenges are the personal adversities we all face to some degree or another: poor physical or mental health, troubled relationships, economic insecurity, faltering faith, the passing of loved ones.
As a result of stay-at-home safety measures surrounding COVID-19, Global Women’s Studies students presented their capstone research virtually.
Associate Professor Greg Stallings (Spanish & Portuguese) may have thought that picking The Exterminating Angel to be shown at the International Cinema seemed random, but the theme of quarantine that runs throughout the movie has become especially poignant in today’s environment.
At a recent event in the Research and Writing Center, students transcribed Anna Julia Cooper’s works and correspondences in celebration of Black History Month and Douglass Day. 
Emory University’s Dr. Lauren Klein presented on Elizabeth Palmer Peabody’s feminist digital visualization work in a recent colloquium.
Florida State University's Dr. Juan Carlos Galeano addressed BYU students, faculty members, and others in a pair of lectures on January 30, 2020.
Carl Sederholm, associate professor in the Department of Humanities, Classics, and Comparative Literature, spoke at an International Cinema lecture on horror as a genre and its traditions.
At a Humanities Center colloquium, Spanish professor Dale Pratt shares his research on time-travel fiction and its paradoxes.