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Women may have been silent onscreen in early cinema, but backstage they were building a powerful new art form.
Ixcanul becomes the first IC film entirely in Kaqchikel, a Mayan language.
Where are the reminders of WWII bombing in Japan? Film Paper City investigates.
Learn about the various student journals in the College of Humanities and how you can join them!
Professor Marc Olivier presented on the history and intersection of fashion and film.
Linguistics faculty help train missionaries as basic English language teachers to enter Mongolia.
Professor Chip Oscarson’s International Cinema lecture tackles the connection between humans and the environment.
Adjunct Professor Madeleine Dresden highlights common racist tropes and stereotypes in writing and offers solutions and alternatives for more diverse and inclusive writing for BIPOC (Black, Indigenous, and People of Color) communities.
Explore new directors, cultures, and themes this semester with International Cinema.
Associate Professor Rob McFarland discusses how Thelma and Louise challenged the film industry thirty years ago and continue to do so today.
The obstacles women artists have encountered—and continue to experience—while trying to obtain a foothold in the art world are legion. Compounding these professional challenges are the personal adversities we all face to some degree or another: poor physical or mental health, troubled relationships, economic insecurity, faltering faith, the passing of loved ones.
As a result of stay-at-home safety measures surrounding COVID-19, Global Women’s Studies students presented their capstone research virtually.