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Women may have been silent onscreen in early cinema, but backstage they were building a powerful new art form.
Adjunct Professor Madeleine Dresden highlights common racist tropes and stereotypes in writing and offers solutions and alternatives for more diverse and inclusive writing for BIPOC (Black, Indigenous, and People of Color) communities.
Explore new directors, cultures, and themes this semester with International Cinema.
Associate Professor Rob McFarland discusses how Thelma and Louise challenged the film industry thirty years ago and continue to do so today.
The obstacles women artists have encountered—and continue to experience—while trying to obtain a foothold in the art world are legion. Compounding these professional challenges are the personal adversities we all face to some degree or another: poor physical or mental health, troubled relationships, economic insecurity, faltering faith, the passing of loved ones.
As a result of stay-at-home safety measures surrounding COVID-19, Global Women’s Studies students presented their capstone research virtually.
Associate Professor Greg Stallings (Spanish & Portuguese) may have thought that picking The Exterminating Angel to be shown at the International Cinema seemed random, but the theme of quarantine that runs throughout the movie has become especially poignant in today’s environment.
Florida State University's Dr. Juan Carlos Galeano addressed BYU students, faculty members, and others in a pair of lectures on January 30, 2020.
Carl Sederholm, associate professor in the Department of Humanities, Classics, and Comparative Literature, spoke at an International Cinema lecture on horror as a genre and its traditions.