French & Italian
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Honoring the Fallen
Four BYU students pay their respects to American soldiers who died defending France.
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The Crisis of Afrophobia in Italy
Award winning author Kossi Komla-Ebri describes the prevalence—and effects—of racism in Italy.
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Want to Escape to France? Visit the MOA
Walk the streets of Paris this winter without leaving Provo. (Sadly, no food or drinks allowed.)
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Loredana Lo Bianco
French and Italian
Email: lobia@byu.edu
3140 JFSB
801-422-7097
Email: lobia@byu.edu
3140 JFSB
801-422-7097
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Ashley Schumacher
French and Italian
Emails: ashley_schumacher@byu.edu
3134 JFSB
801-422-7213
Emails: ashley_schumacher@byu.edu
3134 JFSB
801-422-7213
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BYU Professors Win MHA Award for Their Publication “Mormon in Paris”
Congratulations to Associate Dean Corry Cropper and Associate Professor Christopher Flood (French & Italian) for receiving the Mormon History Association (MHA) 2021 Best Book on International Mormon History award for their collaborative publication, Mormons in Paris: Polygamy on the French Stage.
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Laurel White
Part-time/Adjunct Faculty, French and Italian
laurelcumminswhite@gmail.com
laurelcumminswhite@gmail.com
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French Literature Professor Writes Horror Analysis, Gets Picked for Series Editor Position
French literature professor Marc Olivier made a splash with his book "Household Horror: Cinematic Fear and the Secret Life of Everyday Objects," landing him a series editor position for a new series, Icons of Horror.
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“Mormons in Paris”: Two BYU Professors Analyze Mormon Polygamy in French Culture
Professors Corry Cropper and Chris Flood recently published their book "Mormons in Paris" as an analysis of how the French used early Mormon polygamy to satirize French culture in the 1800s.
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Jim Law
Full-time Faculty, French & Italian
3137 JFSB
(801) 422-2782
jimlaw@byu.edu
3137 JFSB
(801) 422-2782
jimlaw@byu.edu
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Corry Cropper on Albert Camus' The Plague (1947)
Albert Camus’ novel depicts the city of Oran, Algeria during a contemporary outbreak of the plague. While there are obvious parallels between the plague in the novel and the peste brune (the brown plague, a nickname for the Nazis who occupied France during World War 2), by transforming the threat into an act of nature, Camus shifts the focus from human cruelty to the many reactions to suffering: some pretend it doesn’t exist, some try to escape it, others accept it and try to alleviate pain.
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