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Everyone’s got one, but what does it really mean to have an identity? Is identity something we choose or something we possess naturally? The answer is more complex than you might think.
Would you find Galileo guilty of heresy? Would you put him to death? These are questions that students grappled with in their two-week mock trial for Philosophy 210 class.
Philosophy and the field of medicine have complementary roles in helping us ask difficult questions and propose workable solutions to today’s pressing concerns.
The writings of silenced women are being recovered and magnified by Drs. Halling and Hegstrom in a remarkable new database.
Walk the streets of Paris this winter without leaving Provo. (Sadly, no food or drinks allowed.)
Eliza Wells teaches how Latter-day Saints will survive and thrive when they care about those around them.
Congratulations to Associate Dean Corry Cropper and Associate Professor Christopher Flood (French & Italian) for receiving the Mormon History Association (MHA) 2021 Best Book on International Mormon History award for their collaborative publication, Mormons in Paris: Polygamy on the French Stage.
The Department of Philosophy has named Professor David Jensen as associate chair to Professor David Laraway, the current chair of the department. Jensen served previously as the associate chair of the department with the last department chair as well. In this associate chair position, Jensen will assist Laraway in governing and administrative efforts of the department.
For the BYU Philosophy Club, many of today's most pressing issues can be understood through reasoned discussion.
French literature professor Marc Olivier made a splash with his book "Household Horror: Cinematic Fear and the Secret Life of Everyday Objects," landing him a series editor position for a new series, Icons of Horror.
Professors Corry Cropper and Chris Flood recently published their book "Mormons in Paris" as an analysis of how the French used early Mormon polygamy to satirize French culture in the 1800s.
Albert Camus’ novel depicts the city of Oran, Algeria during a contemporary outbreak of the plague. While there are obvious parallels between the plague in the novel and the peste brune (the brown plague, a nickname for the Nazis who occupied France during World War 2), by transforming the threat into an act of nature, Camus shifts the focus from human cruelty to the many reactions to suffering: some pretend it doesn’t exist, some try to escape it, others accept it and try to alleviate pain.